#KOI AAP SA MOVIE SONGS PK FREE#
Disappointing.Free mp3 downlod sites, Free music downloads sites 2022: Agar aap google me free music, free mp3 songs, free audio songs ke bare me searching karte ho to ye post aapke liye hai. At the box-office, releasing the film in the Ramzan period will affect its business largely. On the whole, KOI AAP SA has an interesting story to tell, but the screenplay doesn't do justice to the plot. Actually, it looks completely forced in the narrative! The Manoj Joshi-Sushmita Mukherjee comedy track fails to evoke mirth. Rajendra Gupta and Shama Deshpande are effective. A sincere performance, it stands out mainly because Natassha handles it most naturally.ĭipannita Sharma doesn't get much scope, she is wasted. He is archetypal as a fun-loving collegian, but impresses in the latter part of the film when he decides to take on the responsibility.Īfter making an impact in SILSIILAY earlier this year, Natassha gets an author-backed role in KOI AAP SA and must say, the actor is only getting better, more dependable. Cinematography is alright.Īftab Shivdasani handles a difficult role with complete understanding and delivers a convincing performance. KOI AAP SA boasts of a pleasant musical score and a few numbers can easily be singled out - 'Seene Mein Dil', 'Aadat Ho Chuki Hain' and 'Tere Dil Ka Mere Dil Se'. He had an interesting plot on hand and as the captain of the ship, he should've seen to it that the screenplay is innovative and motivating. Why doesn't she slap him or throw the spineless creep out of her house? Why doesn't Natassha's father give Himanshu a piece of his mind for deserting his daughter when she needed him the most? And when Natassha walks away with Himanshu, without even giving Aftab a glance, what does that make Aftab? A complete loser!īut, thankfully, the end is a consolation and though the outcome is predictable, the hospital sequence is well handled nevertheless.ĭirector Partho Mitra makes an ordinary debut. Ideally, the film should've ended at this juncture since all's well that ends well.īut it doesn't end there! The next 35 minutes are devoted to Himanshu having a change of heart and wanting to marry a seven-month pregnant Natassha. Even her stern father agrees to the match. She objects initially, but gives in when he spells out the reasons. The rape incident makes you sit up and you expect the post-interval portions to be far more involving, but there're problems as far as the writing is concerned.ġ5 minutes after the commencement of the second half, Aftab takes on the decision of marrying Natassha. But there's a twist in the tale 10 minutes before the intermission. Four songs flow one after the other and the content tilts towards the mandatory song-n-dance routine. There's not much movement in the first 35 minutes of the film. But the culprit, without doubt, is the screenplay that doesn't do justice to the story. KOI AAP SA boasts of a story that the generation of today can identify with. He has realized his folly and wants to re-unite with Simran. Rohan decides to marry Simran so as to put an end to all wagging tongues, but Vicky re-emerges on the scene just when everything was going right. Right from Simran's father to Priti to Vicky to her college friends, everyone is of the opinion that Rohan has fathered the child. Soon, Simran gets pregnant and the doctor attending on her advises that aborting the unborn child could prove detrimental. But one terrible night shatters Simran's life forever. Matters get sorted out once Simran's fianc� Vicky arrives from U.S.A. But Priti isn't too comfortable with Simran around, since she suspects Rohan and Simran to be an item. Rohan loves Priti and it is Simran who gives him tips to woo the pretty lass. They have as much fun fighting as they have making up. KOI AAP SA tells the story of two friends - Rohan and Simran. With a poor screenplay on hand, KOI AAP SA leaves you cold at the conclusion of the screening. Unfortunately, KOI AAP SA lacks the zing of KUCH KUCH HOTA HAI, nor does it make a strong, hard-hitting statement as KYA KEHNA. But minutes before the intermission, KOI AAP SA changes tracks and follows a route undertaken by KYA KEHNA first and SALAAM | NAMASTE more recently. KOI AAP SA, directed by debutante Partho Mitra, takes its inspiration from Karan Johar's debut vehicle KUCH KUCH HOTA HAI. While KYAA KOOL HAI HUM followed the David Dhawan formulae of the 1980s, KOI AAP SA is an extension of what Ekta Kapoor has mastered so successfully on the tube: Tug your heartstrings with emotional fares. After having tasted success with KYAA KOOL HAI HUM, will Ekta Kapoor, the Czarina of small screen, have an encore with KOI AAP SA? There's no denying that KYAA KOOL HAI HUM and KOI AAP SA are as dissimilar as chalk and cheese.